Angel Beats! – Emotional Brevity
Angel Beats has shown itself to be adept at being funny, with plenty of physical (absurd) humor. In many ways Angel Beats is more humorous than our Best Show Ever pick. My only issue with Angel Beats: it does not show the same skill in conveying the emotion in its characters as it does with comedy.

Take Kanade, for instance. She is a fairly standard “silent character” following in the footsteps of others like her (Haruhi’s Yuki, NEG’s Rei, etc). There is only so much that can be conveyed through physical expressiveness, especially with such a blank expression. This means that the viewer is left to fill in the missing pieces, due to the lack of story-emotional context. It’s a relatively simply ploy and an easy way to draw the viewer into the plot and characters (are anime fans self centered?). It means the character is limited by the viewer, as long as the character refrains from talking.
Otonashi is another story. His emotions are given in extremes with short bursts. Take compassion. It’s not unusual for a protagonist to show great compassion. The prevailing trait of the typical anime’s hero is compassion. It’s another matter for the viewer to keep up with the fluctuation in intensity.
Although, the manic nature of his compassion may be more natural to the younger audience. Maybe, I’ve forgotten what it feels like to be a teenager. On the other hand, I don’t really know what it would be like to die and then find myself back in high school with a cute silent girl trying to kill me. Hell, I’d rather have the cute silent girl trying to kill me than go back to high school.

The truth of the matter is that I feel it could be done better. Still, there is enjoyment in seeing the characters experience some form of deep feeling, even if it is a bit overplayed.











