Apparently, Cal had a bit of a growth spurt during the time leap between  episode 19 and 20.  It looks more like a span of ten years rather than two. But, we are talking anime, here, where women of thirty years look twelve and those of sixteen look, well…older.

This Sin City movie poster was the image that immediately came to mind. I decided to make a rip-off (click for larger image).

After finishing Asu no Yoichi, I am forced to admit that it is indeed a far superior anime than Toradora. It accomplished in twelve episodes what Toradora was unable to do in twenty-five and one crappy SOS parody.

I know what you are thinking. If Asu no Yoichi! was so awesomotastic, why wasn’t I blogging about it? In fact, I actually spent last month’s post blogging about Toradora and not God’s Gift to Anime Asu no Yoichi.  I know it will be hard to understand for most people, but sometimes when something is of such a high quality and infused with such emotional significance, even a blogger such as I becomes lost for words.

But, what exactly made Asu no Yoichi such a good show?  The answer is more simple that one would imagine. It was grandiose monologues about the heroic nature of the other characters given by Yoichi.  His directly pointing out the noble actions of other characters is what made the show “work.”

Well, that and hair bows. Yeah, hair bows and giant boobs…and exclamation points. Exclamation points are the mark of a great series.

Taiga and Ryuji are the only characters in Toradora that have experienced any “growth” throughout the series. I say that very sparingly because it wasn’t as if their character changed as much as it was that they were shown to have been accepted by those around them.  The key point here is that they were always the way they have been portrayed in recent episodes. For instance, Taiga has always supposedly been hyperactive and cheerful. Albeit, the presumed history would say it was only around her best friend Minori. This is shown in both the opening credits of the show (both versions) and in her interaction with Minori during each episode.

Taiga and Ryuji share the same distinction in that they were “misunderstood.”  The other characters have diverged from their set personalities at times or we were given some small glimpse into their inner thoughts, but for the most part all the characters are the same as when we were first introduced to them in the beginning. It is that we know more about them now, in particular, Taiga and Ryuji.

From my last Toradora post:

If there is one common vein in the connections between characters in Toradora, it is that the characters were fixed in a direction and they continue in that direction no matter the results.

I think this is what people have been seeing in the story that has kept them watching. Toradora’s story is about people being people. We’ve all grown accustom to characters having some type of revolutionary change.  There is always some event that forever alters the landscape of the plot and the characters themselves. Whether it be the average school boy who turns out to be the only one who can pilot a giant robot to save the Earth, or the Magical Girl who turns out to be the only one who can control the legendary power that can save the world. Most of all, we are conditioned to look for an antagonist, or something approaching that of an evil opponent that the hero/heroine must face in order to save that which need saving.  That conveniently distressed something-or-other.

It isn’t that Toradora is without these antagonist who are the enemies of our beloved characters. No, this is very much not the case. As a matter of fact, it would seem that there are an equal number of opponents, one for each of our cast. Each one has somebody to face off against in the final battle for all our salvation.  Of course, they may be a bit hard to find if you aren’t looking for them. Because, like you or I, the opponents that are most challeging to the characters in Toradora are they themselves. With each character, the one who is constantly tripping, stifling, and getting in the way of their wants is nonother than the same person who wants.

Needless to say, Toradora has kept things interesting. Some say there have been lulls in the plot. Others have said that it has been entertaining throughout. I place my self squarely in the latter. Of the shows that I’m following, it is still the only one that I eagerly await and watch as soon as I have time. And, time, is one of my more precious commodities these days.

Toradora keeps on doing exactly what I expect but in ways that are very interesting to me. I’ve found it interesting that Ryuji has remained ignorant for so long. In other stories, his character would have already been slightly, if not wholly, aware of his romantic feelings toward the main female character. For their part, the other girls are completely aware of their feelings.  They seem to plainly accept it while grappling with the results and the conflicts they present.

However, our beloved Taiga is the exception.  I believe this is the reason so many of us have grown attached to her character. She’s unique in this story not because she isn’t aware of what she feels nor is it that she hides her emotions. If anything, it’s more along the lines of willfully giving into those emotions while denying the benefit.

If there is one common vein in the connections between characters in Toradora, it is that the characters were fixed in a direction and they continue in that direction no matter the results. Taiga chases Kitamura. Ryuji chases Minori. Kitamura had already set his eyes on someone other than Taiga. Minori altruistically attempts to ignore her feelings for Taiga’s sake. Ami, for her part, seems to want a rescue. From what? Her, adult life, more than likely.

What does this all lead to? Why is it important? What has kept my gaze fixed on this story for so long?

There are a lot of answers for those questions, but the one that comes to mind first has to do with why and what we feel (if you didn’t see that coming, you haven’t been reading my blog very long ).  I can sit and think. I can reason. I can do any number of things that any other person can do. I have some amount of control over my actions. The problem lies in the extent of control that I possess. No matter what I believe or how hard I try there will always be aspects of my self that are outside of my control. There are things that will freeze my heart and those that will warm it through and through. Some things that will cause joy and other things that will cause great sorrow. I live with the realization that I have no ability to control what I feel, only how I respond to it.

The way we feel, the thoughts and emotions that bubble up from events in our lives are often out of our control. Emotion is to reason, as Chaos is to mathematics. They are seemingly random and fierce, but there is a type of order and beauty to them. Yet, they have a butterfly effect of their own. Why is it that the smallest things sometimes stir the greatest of passions. It’s just a bit odd.

If you really want to understand what I am talking about. Think about this: Have you ever reasoned an emotion, or have you emotioned a reason? Logically, we can reason why we would feel a certain way. That doesn’t occur the other way around. In fact, it doesn’t even make sense reversed. Emotion is a stimulus response. When it isn’t, it is considered a disorder.  I find it very intriguing, these things that we call feelings. They exist with all the substance of the reaction of flesh to flame, but they are intimately part of our being.

How very odd, indeed.

…

Synopsis of Episode 0 -

Keita is a middle school student preparing for high school. He has two sisters. He awakens in the first episode in bed with his sisters who proceed to molest him whist he is unable to move. He is immobile due to his sisters having used his arms as pillows resulting in their heads putting his arms to sleep because of a lack of blood flow.

The rest of the show is a combination of pantyshots, for the most part. Yeah, there is some plot. It involves furthering the story to a point where he eventually bones either one or both of his sisters, presumably.

I didn’t know too much about Kiss X Sis before watching it. Honestly, I was not too sure what to expect. Obviously, given the title, I was expecting some siblings to be engaged in some type of forbidden romance. Luckily, Kiss X Sis does not appear to vary from that particular plot angle.

We all know the standard line by now. Even though they have been living under same roof for the entirety of their lives, it’s okay because they’re not “blood related.” I’ve always thought of this as text book Freudian sexual desires, but it may just be a convenient plot device…who really knows?

On another note, Keita’s father seems to be encouraging his son to go for it, which just increases the amount of “suspension of disbelief” needed for this show. Seriously, just turn off all the parts of your brain that are not governed by sex.